Figure 372: Ceiling painting „The Creation of Adam”. Adam in red marking can be seen in this fresco as the recipient of a creative spiritual message sent by God. The special sitting posture of Adam, with his bent left leg and the outstretched left arm in yellow marking, which both together show a parable „T” as a sign for Christ and a divine spiritual transmission via the Eros phenomenon, as also the naked and brightly representation, which is evidently to be interpreted as a succession of sins purity of Christ, helps to understand the perception of a successfully carried out spiritual transmission from God to Adam.
However, this also makes it clear, that the transference in this episode only takes place in one direction, namely from God to Adam. The image of the naked Adam with a brightly background stands for a sin-
Figure 373: „The creation of Adam” in detail with a floating god depicted in a human cerebral cortex against a wine-
The pink clothing of the male God, instead of the always female Mother of God, who correctly should be depicted there, and who is the sole ruler of heaven and world and also the sole source of knowledge, gives to understand, that she is also responsible for male desires and lust towards women. This makes it clear that God is not male, but the female Mother of God, Michelangelo, 1511-
Figure 409: The Libyan Sibyl in the presentation of the Angel of Our Lady on her throne in light blue marking. Her main task includes the nocturnal and creative prophecies to the men in the bedstead, which are passed on to the men via the angel Eros, which is visible on her left elbow and in yellow marking. As a parable attribute of the transmission of spiritual messages to men, Angel Eros holds a scroll in his left arm, which in a figurative sense is supposed to correspond to the Eros phenomenon with the development of an erection, in order to be able to receive the spiritual messages of creation.
Below her throne is another angel marked in dark blue with her name tag and a specific arm gesture to perceive the right-
Creative prophecies in bed:
Libyan Sibyl, Michelangelo, 1511-
Figure 412: Left: Prophet Jeremiah in light blue marking with crossed legs and a disappointed look at his throne, which was designed by Michelangelo as a self-
Figure 413: Right: The Prophet Jeremiah in detail in light blue marking with a diseased right shoulder or back and a noteworthy finger pointing in his lap to identify the most common guilty sins among men: the sexual misconduct in dealing with women in red marking. This important detail marks the abuse of the eros phenomenon in favor of sexual acts and consequently prevents the execution of creative works. However, the shortened upper body of the prophet Jeremiah, designed and shortened by Michelangelo, is also significant, and in a foresight by Michelangelo he reveals considerable consequences for the returning Bartholomew Christ. Due to the passed over guilt of sins, which are resulting mainly from sexual misconduct and abuse of men against women, the reborn again Bartholomew Christ will have a shortened upper body in a prophecy by Michelangelo as a permanent handicap and stigmatization. Michelangelo, 1511-
TIME for the „Creation of Adam“:
spirit transmission from God to Adam
„The Creation of Adam“ with the spirit transmission from
God to Adam, Michelangelo, 1511-
Consequences of the abuse of the eros phenomenon
in favor of sexual acts: Prophet Jeremiah, Michelangelo, 1511-